The subject concerning certain diatonic scales known as musical modes.
The way in which infrastructure and knowledge of how to use it give rise to a meaningful pattern of interaction (a concept in Anthony Giddens's structuration theory).
Any of the senses (such as sight or taste)
The organization and structure of the church, as distinct from sodality or parachurch organizations.
The quality of being limited by a condition.
A particular way in which the information is to be encoded for presentation to humans, i.e. to the type of sign and to the status of reality ascribed to or claimed by a sign, text or genre.
The classification of propositions on the basis on whether they claim possibility, impossibility, contingency or necessity; mode.
The inflection of a verb that shows how its action is conceived by the speaker; mood
The fact of being modal.
A method of diagnosis or therapy.
The musical instruments which provide rhythm (mainly; not or less melody) in a musical ensemble.
A specifically defined pattern of such variation.
A regular quantitative change in a variable (notably natural) process.
Controlled repetition of a phrase, incident or other element as a stylistic figure in literature and other narrative arts; the effect it creates.
The variation of strong and weak elements (such as duration, accent) of sounds, notably in speech or music, over time; a beat or meter.
A flow, repetition or regularity.
A person's natural feeling for rhythm.
The tempo or speed of a beat, song or repetitive event.